Pavement advertising in Sydney has moved on since 1904. In that year bootmaker Joe Gardiner was nabbed by the police for whitewashing advertisements for his shop on the asphalt in Oxford Street near the entrance to Hyde Park. Joe’s fate is recorded in a correspondence file in the City of Sydney archives.
These days the footpath is a billboard, not only for small shops and garage sales, but also for corporations. In recent months NAB (National Australia Bank) has discovered the transgressive frisson of stencilling the pavement. At Sculpture by the Sea in November, advertisements on the Bondi to Tamarama walk made it evident that NAB was a sponsor of the event. On Valentine’s Day in February, city pavements were enlisted in a multiple media campaign announcing that NAB had split up with the other banks (whatever that means). Although these commercially creative works soon faded in the rain, their smeary remains are still visible in some places.
Sculpture by the Sea, Bondi-Tamarama, November 2010. In the background is Lucy Barker's installation 'Sea Cells'.
Defacing the pavement with any kind of marker is still illegal in the City of Sydney but, as I noted in an earlier blog post, perhaps council rangers have given up bothering about graffiti drawn with chalk or quasi-chalk.
Valentine's Day 2011, Newtown Bridge.
You can read more about footpath decoration and pavement advertising in two articles I have written:
Hicks, Megan. 2009. Horizontal billboards: The commercialization of the pavement. Continuum: Journal of Media and Cultural Studies 23 (6):765-780.
Hicks, Megan. The decorated footpath. Dictionary of Sydney.
The arcades of Paris (les passages couverts) were a shopping sensation in the 19th century and they are still famous, not least because Walter Benjamin’s great unfinished work The Arcades Project (Das Passagen-Werk) used a study of the arcades as a way of revealing insights into the realities of urban living.
There were some 150 of these arcades built between 1800 and 1850. In their day they offered a treasure-trove to shoppers in Paris away from the weather and the dirty, unpaved streets. Now there are fewer than 20 left, most of them in run-down condition but still offering a variety of shopping and eating experiences. The pavements – or floors – of the arcades carry the story of their decline (or sometimes their revival, as in the case of the almost-glamorous Galerie Vivienne).
In a stretch of the Passage des Panoramas that I photographed parts of the original paving had been replaced by asphalt, but there were some sections of flagstone and a few shops had remnants of the original coloured tiling – a different pattern for each shop, sometimes with the name of the original business spelt out in tiles. Others had rectangles of synthetic carpet outside their premises.
Rue de la Verrerie
In Paris the pavement is used as a noticeboard, just as it is in other cities. I have seen a number of stencils announcing – or advertising – one thing or another. But SIDA ÇA PLOMBE L’AMBIANCE , usually coupled with a pink ACT UP PARIS stencil, seems to be the most prevalent, although most examples are looking a little the worse for wear.
Roughly translated as AIDS: it weighs down the atmosphere (but I stand to be corrected on this), it is the slogan that Act Up-Paris used at the LGBT Pride March on 26 June this year in an effort to mobilize the LGBT community’s acknowledgment of HIV-AIDS and of people living with the disease.
Rue Vieille du Temple
This January, edutainment was used by Waverley Council in an effort to prevent smokers from butting their cigarettes on the beach without resorting to fining them. As part of the campaign a chalk artist was contracted to draw pictures with messages on the promenade at Bondi Beach, complementing the official ‘No smoking on beach’ pavement signs. You can see one of these large yellow stencils in the background of this photograph.
Three days later, after a battering by weather and feet, the chalk artwork was looking a little the worse for wear but it had already done its job, attracting coverage in newspapers like the Sydney Morning Herald, and probably also being passed around on social networks via tourist cameras and mobile phones.
In an article recently published, I talk about the way in which old-fashioned street art is used by advertisers as a starting point to disseminate their messages across a wide spectrum of new media.
Hicks, M. 2009. Horizontal billboards. Continuum: Journal of Media and Cultural Studies 23 (6):765-780.