Archive for December, 2009
Rest in peace
Posted by megan in death, personal notices, suburbia on 31 December 2009
Every now and then a memorial for someone who has died appears on the pavement. Usually there is a very good reason why the memorial has been written at that time on that particular spot on the ground.
Teenager Alex Wildman died in July 2008, his suicide and the inquest that followed attracting much media attention because of allegations of bullying at his high school near Lismore in northern NSW. Epitaphs for Alex appeared in ‘unofficial’ media, such as videos on YouTube and graffiti on footpaths. The graffiti was written around the Campbelltown area in south-western Sydney by Alex’s friends at Ingleburn High School, where he had been a pupil until his family moved to Lismore.
The painted RIP in the photograph appeared some months after much smaller messages for Alex were written in black texta along the edges of the same footpath on the western side of Macarthur Railway Station.
I have written about memorialization of the dead on the pavement in City of Epitaphs, an article recently published in the on-line journal Culture Unbound.
Hicks, M. 2009. City of epitaphs. Culture Unbound 1 (Article 26):453-467.
If you are like me, and enjoy discovering obituaries and other unexpected messages on the pavement, then I wish you a pleasurably doleful New Year.
Greetings

To my regular readers and to those just passing by – many thanks for your interest, your comments, your emails, your tip-offs and your photos.
Best wishes for the year ahead and may you continue to enjoy finding surprises on the pavement.
To-day’s photograph was taken this time last year in Belmont Road, Mosman, NSW.
Mystery sandstone cobbles (Guest spot)
Posted by megan in guest spots, mysteries on 16 December 2009
Today’s guest spotter is Richard Blair, a local history fossicker.
Recently uncovered by Marrickville Council during street plumbing activity under two Camphor Laurel trees on the eastern side of upper Metropolitan Road, Enmore, Sydney, are what appear to be sandstone cobblestones.
One expert opinion suggests these stones may have been part of a carriageway as they are in such a deliberate order. That would mean they may be linked with Enmore House which formerly stood on this site until demolition in the 1880s. However, one might expect a cobblestone carriageway to have been made from a stone more durable than sandstone, such as granite or bluestone.
Other views suggest the sandstone course may have been associated either with some early civil works project or may have been laid in conjunction with the arrangement of street tree planting.
These photos were taken in September 2009. The sandstone courses were still uncovered in November, but by December 2009 they had been (presumably) covered over with soil.
Poke
The Dictionary of Sydney was launched on 4 November 2009. It’s an on-line encyclopaedia of the history of Sydney with new material being added continually. The range of subjects is broad and sometimes surprising. Along with such conventional topics as, say, Governor Lachlan Macquarie or the Japanese Submarine Attack, there are such entries as Drag and Cross Dressing, and The Royal Commission into Noxious and Offensive Trades, and even (ta-da!) Reading the Roads.
‘Poke’ is one of the illustrations for that article. It’s an example where unofficial graffiti – an advertisement for a dance party – has colonised a piece of official pavement graffiti – a zebra crossing. The photograph was taken in Newtown in 2003.
Tim P
The label ‘gay’ remains a term of abuse in many situations. This piece of oversize graffiti is on Lakes Way, the road between Bulahdelah and Forster, a seaside holiday area on the central coast of NSW. It raises several questions. Is Tim P actually gay and is he being outed by the graffiti writer? Or is ‘gay’ the worst insult the writer could think of in retaliation for something Tim P has done? Why is it written on a road? Why this road? Why at this spot on the road? And by broadcasting the message to a wider audience and revealing its location, am I complicit in the vilification of Tim P?